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AUDIOPHILE NEWS

"Audiophile" refers to records that are specifically manufactured to a standard that is higher than the norm : e.g. either remastered or "re-stored" sound, original master pressing or recordings, or as is becoming increasingly common, 45 RPM speed albums. Usually they are of a heavier duty, high quality vinyl (usually 180 gram) to ensure a flat playing surface. We are blessed these days in that there are quite a few specialist Audiophile companies, where once they were few and far between - Pure Pleasure, Speakers Corner, Mobile Fidelity and others including newcomers Boxtar and Original Recording Group are but a few. Even the major companies are having a go with specialist deluxe pressings from Sony, EMI and Warners (Rhino Label). You can pay a premium for some labels, but if you want the best... We sholesale basis with these companies as agent and distributor, our prices are comparable to their cost overseas without you having to worry about postage, insurance, and if (god forbid) you have any problems, we are here right here to sort things out - not a thousand kilometres away.

Analogue Productions continue their superb 45 RPM 2 record sets with new releases from Nat King Cole.

"Using the original 3-track session tapes from Capitol's vaults and all-analogue systems including custom headstacks, 3-track preview heads, console and monitoring chain installed at AcousTech specially for these releases, mastering engineers Kevin Gray and Steve Hoffman realize the stunning wide-range potential and beauty of these recordings. Original releases contained 14 tracks, omitting two superb tracks recorded for the album, "Don't Blame Me" and "There Is No Greater Love," due to space constraints, but the full 16 tracks are included in this double 45-RPM 180-gram album set. Included with this deluxe reissue is a striking six-panel booklet complete with rare photos, a 3,400-word essay by Chris Hall on the album and a 1,200-word essay by Michael Fremer about the remastering process. This truly is a no-expenses-spared project, resulting in the ultimate version of this title and a historic reissue.

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x"Love is the Thing"

Love is the theme for twelve ballads of heavenly strings orchestrated by the distinctive Gordon Jenkins, sympathetically backing the intimately expressive and supremely musical voice of the incomparable Nat "King" Cole. Featuring such legendary classics as "Stardust" and "When I Fall In Love," Love Is The Thing topped the charts upon its release, is among its era's finest, most stylistically defining recordings of popular music and continues to enchant listeners to this day.

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xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx"The Very thought of You"

Nat "King" Cole and arranger Gordon Jenkins followed their hit album Love Is The Thing with The Very Thought Of You, foraging further into romantic and sensual bliss and creating the audio equivalent of a distillation of romantic ardor in a bottle. The sixteen ballads of The Very Thought Of You, each with their own euphoric tinge, include the title track "The Very Thought of You," "For All We Know," "Paradise," and "But Beautiful." Again orchestrated with the heavenly strings of the distinctive Gordon Jenkins, sympathetically backing the intimately expressive and supremely musical voice of the incomparable Nat "King" Cole, the result again stands among its era's finest, most stylistically defining recordings of popular music and continues to enchant listeners to this day.

Plus These New Titles

Analogue Productions  Nat 'King' Cole: Just One Of Those Things (45rpm-edition)

For More Infomation Click Here
 

Analogue Productions Nat King Cole: St. Louis Blues (45rpm-edition)
An influential figure in the early 20th century development of blues and popular music as a music scholar and as the composer of numerous popular songs, W.C. Handy has often been called 'the Father of the Blues'. When two of the finest and most popular of mid-20th century musical figures, jazz and popular music icon Nat 'King' Cole and style setting arranger extraordinare Nelson Riddle undertook an album dedicated to the music of W.C. Handy, the results were at once a worthy tribute and transformative. Particularly smooth vocals by Nat 'King' Cole were aptly backed by resourceful orchestrations from Nelson Riddle. From the landmark laments of "St. Louis Blues" and the loving appreciation of "Morning Star" on through to the colloquial rag of "Joe Turner's Blues", the varied facets of W.C. Handy's songs were given a lastingly freshened interpretation. Along with the contemporary "Louis Armstrong Plays W.C. Handy", this album is considered by many to be the best anthology of the music of W.C. Handy.

Using the original first generation 3-track session tapes from Capitol's vaults and all-analogue systems including custom headstacks, 3-track preview heads, console and monitoring chain installed at AcousTech specially for these releases, mastering engineers Kevin Gray and Steve Hoffman realize the rich beauty of these recordings in this double 45-RPM 180-gram album set. Included with this deluxe reissue is a striking six-panel booklet complete with rare photos, a 1,600-word essay by Jordan Taylor on the album and a 1,200-word essay by Michael Fremer about the remastering process. This truly is a no-expenses-spared project, resulting in the ultimate version of this title and a historic reissue.
Analogue Productions Nat King Cole: Where Did Everyone Go? (45rpm-edition)
In what some consider his last great album prior to his tragic passing, Nat 'King' Cole approached the dramatic dark side of love in the spirit of Sinatra's saloon songs to timeless, haunting effect with the album "Where Did Everyone Go?" The distinctive orchestrations of Gordon Jenkins for strings accompany the intimately expressive and supremely musical voice of the incomparable Nat 'King' Cole in such classic songs as "Someone To Tell It To", "I Keep Going Back To Joe's", "Spring Is Here", "The End Of A Love Affair" and other reflections of one who had and now has not. Nat 'King' Cole and arranger Gordon Jenkins followed their hit albums "Love Is The Thing" and "The Very Thought Of You" with this striking shift toward the dramatic. The result again stands among its era's finest, most stylistically defining recordings of popular music and still retains its grand sense of tragedy and beauty.

Using the original first generation 3-track session tapes from Capitol's vaults and all-analogue systems including custom headstacks, 3-track preview heads, console and monitoring chain installed at AcousTech specially for these releases, mastering engineers Kevin Gray and Steve Hoffman realize the stunning beauty of these recordings. Two bonus tracks recorded for the album, "A Farewell to Arms" and "Happy New Year", are included in this double 45-RPM 180-gram album set for their first release in original production quality. Included with this deluxe reissue is a striking six-panel booklet complete with rare photos, a 3,200-word essay by Chris Hall on the album and a 1,200-word essay by Michael Fremer about the remastering process. This truly is a no-expenses-spared project, resulting in the ultimate version of this title and a historic reissue.
 
 
From Speakers Corner
Philips 9500397   Wolfgang Amadeus Mozart: Oboe Quartet K. 370, Adagio and Rondo K. 617, String Quintet K. 406 - Heinz Holliger (o); Bruno Hoffmann (glass harp); Aur le Nicolet (fl); Herman Krebbers (v); Karl Schouten, Judith de Munk-Ger  (va); Jean Decroos (vc)
For More Infomation Click Here

 

Mark Knopfler : "Get Lucky"

The sixth solo studio release from Dire Straits, Mark Knopfler. Recorded at Knopfler's award-winning British Grove Studios in West London, Get Lucky was co-produced with longtime collaborators engineer Chuck Ainlay and keyboardist Guy Fletcher and featured Richard Bennett, Danny Cummings, John McCusker, Matt Rollings and Glenn Worf. The 11-track album explores a lifetime of musical roots exemplified by the title track. "The first itinerant person I ever met would sing in soul bands in winter, then work part-time in fairgrounds or 'go pick fruit down south' when the weather turned warm," explains Knopfler. "I was about 15 years old, stuck in school and envious. 'Get Lucky' came from him and other traveling characters I went on to meet in places I'd find myself working short-term, like farms, warehouses, building sites, before I got lucky with my songs." A two record ausiophile set on heavy duty vinyl.

Dian Krall : "Live in Paris"

The first in long promised releases by a new audiophile label, Original Recordings Group, of Diana Krall's early Verve recordings. "Live in Paris" offers listeners Diana Krall's understanding of the musical techniques of composition, piano, and vocal improvisation on 12 songs from the Great American Songbooks of Cole Porter, Harold Arlen, George and Ira Gershwin and contemporary artists Joni Mitchell and Billy Joel. Accompanied by the award-winning Anthony Wilson on guitar, John Pisano on acoustic guitar, John Clayton on bass, Jeff Hamilton on drums, and Paulinho Da Costa on percussion as well as the Orchestra Symphonies European on 'Let's Fall in Love' and 'I've Got You Under My Skin,' the lovely vocalist heightens your listening pleasures with distinctive phrasings and tangible pathways to inside the creative imagination by getting inside harmony, the changes, and melodic structures." - All Music Guide.

 

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